Hunger Artists Ensemble Theatre

 

 

Meg has just found the perfect Manhattan apartment. There's only one catch... Can she find happiness in the Big Apple with a scientist, a party girl and a complete lunatic? Join us for Sherry Kramer's
Directors notes
Life, they say, runs in cycles. When I first encountered Bent, I was a teenager struggling with being openly gay in a small town in Arkansas - reading this play and knowing there were others like me (who faced bullies far worse than mine) helped me make it through a tough time. The second time I crossed paths with Bent was a during the early days of AIDS. The director, having recently lost a close friend, decided that gays didn't need another martyr and revised the ending of the play to delete the script's final death scene - making it, to my mind, a defeatist ending - and kick-starting my days as an activist. Then, eleven years ago, I was acting in the show when I learned of legislation that was being proposed for that fall's election - Amendment Two. Had I stopped to analyze this before, I might have noticed that the circles that my life and this play were describing were getting smaller and smaller... This time the circle closed in tightly: I cast an actor in the show whose employer would not allow him to perform the role due to concerns about its content.
The struggle continues.
The cycle begins again.

Jeremy Cole


Westword Best of Denver 2004


Bent by Martin Sherman
Bent
by Martin Sherman
directed by Jeremy Cole
April 3 - May 10, 2003
the LIDA Project Theatre
1280 Stout St. Denver
Congratulations to Bill Hahn, winner of the 2003 Denver Post "Ovation" Award and Westword's Best of Denver as Best Actor in a Drama for his performance in Bent
Synopsis Reviews and Letters Photos and Graphics Cast and Crew